3D Rendering · Dubai
3D Rendering in Dubai
The airport at Dubai South is the largest thing being built here, and probably anywhere. Seventy square kilometres, five parallel runways, capacity for more than 260 million passengers a year, with the first phase due in 2032. Thirteen billion dirhams of contracts are running now and more than ten million work hours went into the last fifteen months.
Elsewhere the picture is more mixed than the announcements suggest. Palm Jebel Ali has 723 villas under contract across Fronds K to P with first handovers starting this year. Dubai Islands, seventeen square kilometres across five islands, has a masterplan and no completion date. Creek Tower has a tender and no fixed schedule.
Knowing which of those is which is most of the job when you are selling something that does not exist yet.
Who we are writing to
The buyer here is often not the architect.
Master developers commission at volume, and since the 2024 consolidation that brought Nakheel, Meraas and others under one roof, a lot of that work sits inside fewer, larger procurement relationships. Below them is a layer that barely exists in other markets: property marketing agencies who take an off-plan launch end to end and buy CGI as a line item, alongside brokerages running project portals.
Then the practices, local and international, who need design-stage imagery rather than sales imagery, and who are usually working to a client review rather than a launch date.
The permit chain an off-plan render sits inside
An off-plan render in Dubai is not marketing material until somebody has a permit for it.
Real estate advertising in the emirate runs through the Land Department's Trakheesi system. The advertiser applies, the permit number goes in the advertisement, and the advertisement has to match the permit. The Department has fined companies for advertising without one, for reusing permit numbers, and for running expired ones. Separately, the 2007 escrow law bars a developer from advertising in local or international media without written authorisation.
So the image sits inside a chain, and the chain cares about accuracy. Which brings back the point from the top of this page. A render of a project that is announced should not look like a render of a project that is topped out. Getting that distinction right protects the person who has to sign the advertisement off, and it is the part most studios do not think about at all.
Relevant work
There is Dubai work in the portfolio and it is worth being exact about what kind.
A house at Dubai Marina, interiors. And a high-end residence delivered in 2025 as a five-hotspot virtual tour you can walk through rather than take on trust. Further down the Gulf, a mosque in Muscat, four exterior studies tracking the light across a single day, and an interior tour of the prayer hall.
That is residential and civic work, not an off-plan launch campaign for a master developer. Tower work at that scale sits in the Mumbai portfolio rather than this one, and we would rather say so than let the distinction blur.
Ninety minutes, and it never moves
An hour and a half, and no daylight saving on either side, so it never moves.
A nine o'clock start in Dubai is half past ten in Mumbai. Five in the afternoon here is half past six there. There is no handover window to manage and no overnight lag: for practical purposes it is a shared working day, and a call can happen whenever suits you rather than at the one hour that works for both.
Both weeks run Monday to Friday, so there is no mismatched weekend to plan around. Our day opens at nine in Dubai time and closes at half past six, which is your working day almost exactly.
Invoicing in USD or AED. Milestones 50, 25 and 25.
Dubai questions
Do you have an office in Dubai?
Can you produce visuals for an off-plan launch that has to clear a permit?
Have you worked on Dubai or GCC projects?
Why do your Gulf renders look different from a European studio?
What does a project cost?
The studio
256 GRAYS has worked in interior architecture and 3D visualisation since 1999, from Mumbai, for clients across six continents. The practice is principal-led: Hasnain Sikandar sees every project, and the person you brief is the person who does the work. That is a deliberate limit on how much we take on, and it is the reason the work is consistent.
We are a registered LLP, 256 GRAYS STUDIO LLP, which matters more than it sounds when an overseas client is deciding whether to send drawings to a studio they have not met.
Software and pipeline
Modelling and scene assembly in 3ds Max, rendered in Chaos V-Ray or Corona depending on what the project needs. Both are production renderers from the same house, and the choice is made per project rather than by habit: one suits controlled architectural exteriors and daylight studies, the other suits interiors where the light is doing most of the work.
We take DWG, RVT, SKP and IFC, and we would rather work from your model than rebuild it, because rebuilding is where errors enter.
How a project runs
Brief and fee agreed in writing before anything starts. Grey-scale camera tests for approval, so composition is settled before time goes into materials and light. Draft images for comment. Two rounds of revisions inside the fee, with further rounds quoted rather than absorbed silently. Final delivery at agreed resolution.
Milestones are 50 percent to start, 25 percent at draft, 25 percent on delivery. Invoicing in US dollars or dirhams by default.
Source files are not part of the standard deliverable. If you want the scene released after the project closes, it is quoted separately at that point.
Confidentiality and ownership
We sign your NDA. If you do not have one, we will send ours. Copyright in the finished images transfers to you on final payment, including for marketing, planning submissions and press. We do not publish work from a live project without written permission, and we do not use client work in advertising without asking first. Unbuilt and pre-launch projects stay off the site entirely until you say otherwise.
Start a project
Send drawings, a rough image count and the date it has to be in front of somebody. You will get a fixed quote and a schedule, usually within one working day.